Winter-Spring 2016 Mini Movie Reviews

SPOTLIGHT
11/25/15

Key Players: Michael Keaton, Rachel McAdams, Mark Ruffalo

SpotlightEven though I’ve only spent a couple of short months in a real hustle-and-bustle newsroom and never at a major paper, I still get really amped when I watch movies about that kind of setting. It takes me back to when I worked for my college paper—the Spotlight team’s tiny room sectioned off from the rest of the staff made me nostalgic for our tiny computer lab in the basement of the student union, heavy with the scent of newsprint and stale coffee.

Spotlight truly deserved its Best Picture win—what a powerful film. As a journalist, I easily related to their passion for the story, their sense of duty to discover the truth and unveil it to the world. As a former Catholic school kid, the statistics were staggering. Based on true facts, Spotlight tells the story of how The Boston Globe exposed the wide-spread scandal of pedophilic priests and the massive cover-up within the Catholic Church. It hit the front page of the Sunday paper in early 2002 and sent shockwaves around the country—and, as the end credits show, the world.

Should you see it?
If you enjoy journalism movies or are interested in the subject matter. I highly recommend it.

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The 88th Annual Academy Awards: Highs and Lows

2016’s big winners: (L-R) Mark Rylance | Best Supporting Actor for “Bridge of Spies,” Brie Larson | Best Actress for “Room,” Leonardo DiCaprio | Best Actor for “The Revenant,” and Alicia Vikander | Best Supporting Actress for “The Danish Girl.”

In a lackluster award show year in the midst of perhaps the most publicized Hollywood controversy over the lack of nominations for actors of color, I knew the 2016 Oscars would be a rather different ceremony than in years past. That being said, I still wasn’t expecting so many uncomfortable moments shoved down the audience’s throat by host Chris Rock in his second stint on the stage.

88thoscars_key_hostWithout touching too much on a provocative subject I’m not exactly equipped to speak knowledgeably about, I thought he might use his opening monologue to address the debate, which he did, and maybe close out the show with some sort of call to action, which he did by citing #BlackLivesMatter, and leave it at that. However, the night was rife with crude jokes, relentless little jabs at the underrepresentation of black actors (not all minorities, just blacks) in film, and several awkward moments that made the talent in the room shift in their seats, tittering as though they weren’t sure if they were supposed to laugh or not. After scanning some reviews, it seems some people were a fan of his tactics, but I happened to find jokes like, “In the In Memoriam package, it’s just going to be black people that were shot by the cops on their way to the movies,” to be needlessly tasteless. Continue reading