When I start hearing buzz about a new fall drama or comedy, I usually wait before diving right in. It needs to reel in some great reviews and ratings first, maybe an article here and there in Entertainment Weekly. After I read up on it and watch a trailer or two, I give it the ol’ pilot test. If the pilot episode hooks me, I stay with it for a while. If it doesn’t keep me interested, I try to rough it for a few episodes, given that some shows just take longer to really get underway, which I get. And even though I usually have a full fall roster every year ready to jam up my TiVo, I still try a couple new ones, just because. So this year, here’s what’s new to my ever-growing line-up and whether or not I think I’ll keep them …
As mentioned in my last PSA, I’m a huge Neil Patrick Harris fan so imagine my surprise when his hugely touted variety show, new to NBC this season, appeared to flop miserably. I found myself with a puzzled look on my face throughout much of the first episode, even fast-forwarding entire segments. The second episode did not fare much better. It’s as though he’s trying to cram much too much into every second and the pressure of performing it all live puts a strain on the easy-going, natural charmer that we know NPH to be. The audience participation in the first episode leaned more toward stalking and the second—an on-air proposal—seemed odd and out of place. His celebrity guest announcers falter awkwardly and “The End of the Show Show” runs the gamut from chaotic to sloppy. The only parts worth sitting through are the pranks and the physical obstacle course, which changes from show to show. But even so, after two episodes, I removed this from my TiVo to-do list. Sorry Neil, it just didn’t live up to its name. Continue reading
Just caught a rerun on TV and hello, what have we here …
April Kepner = Suzy Pepper
Also? Mitchum Huntzberger = Mr. Fabray.
I hooked my laptop to my TV last Saturday night and hunkered down to binge The Americans. Skipping the pilot (which I’d already seen twice), I got through episodes 2-7 by 3 a.m., and then finished the rest Sunday afternoon. I knew there was going to be no other way to do it than to gorge on what I knew would be a kick-ass series. I was right. By the end of Gregory, I was doing that little internal happy dance you (or maybe just I) do when you realize that yep, you did just discover an awesome show and there is nothing in the foreseeable future that will stop you from devouring episode after episode for the next few hours. It’s like looking forward to something that’s already happening. So, some thoughts … Continue reading
I started Orange is the New Black last week. I liked it.
I finished it last night. I didn’t like it so much.*
Here’s why: (SPOILERS!)
I like TV that makes you think. Too often shows just pander to their lazy audiences, especially comedies. After all, who wants to come home from a long hard day at work and think? I, however, have always been partial to shows with a heavy-hitting undercurrent. I want to be taken for a ride.
As a senior in college, I took a course in television criticism. It was the first journalism class that actually allowed me to feel like I was doing something other than just taking notes on lectures about AP Style and the difference between slander and libel. We watched pilot episodes of several shows and analyzed them. I wrote term papers of ten or more pages on shows like Gilmore Girls and Boy Meets World. It re-wired my brain by giving me a fresh perspective on one of my most beloved “hobbies.” It helped me in the long run, particularly where entertainment journalism is concerned, into really letting the theme of a scene kick in and noticing nuances in character development. This isn’t to say I spend every moment dissecting the plot of what I’m watching—it just means that when I want to, I can flip a switch and really delve into the heart of a storyline with a keener eye.
Something tells me this will come in handy when watching FX’s new spy drama “The Americans.” Continue reading