Welcome To Jurassic World

This past weekend, I was all about the pop culture phenom-of-the-moment: I binge-watched season three of Netflix’s prison dramedy “Orange is the New Black” and sat enRAPTORed (ba-dum-BUM) throughout the record-breaking dino juggernaut “Jurassic World”—twice.

1907492_10100414465579958_262451441502663559_nI’ll get to OITNB later, but for now, #RaptorSquad4Lyfe!

Jurassic World exceeded all expectations, not only mine, but at the box office as well. It shattered opening weekend statistics, earning $524.4 million worldwide. (It’s the first film ever to make more than $500 million in one weekend!) Domestically, it was lagging only behind Avengers: Age of Ultron before finally smashing it down with $208.8 in U.S. sales. So, uh … wow.

I wanted this movie to be so good so badly (it is). I wanted to learn to like Chris Pratt (I did). I wanted to be amazed (I was). Most importantly, I wanted to know that all the years spent waiting would be worth it; for a while, it seemed a third sequel would never happen. We last saw the residents of Isla Nublar and Isla Sorna back in 2001 and perhaps the long wait was needed to refresh and hit us hard with a brand new concept. It’s been said that Jurassic World is intended to be direct sequel to the 1993 film, safe to pretend that the other two—The Lost World: Jurassic Park (1997) and Jurassic Park 3 (2001)—don’t even exist. Probably wise.

Hats off to director Colin Trevorrow and executive producer Steven Spielberg (director of the legendary original); the film was both an homage to and brilliant reimagining of John Hammond’s innovative vision. The park is open!

Here’s how Jurassic World rates against its predecessor (IMO): Continue reading

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