2016’s big winners: (L-R) Mark Rylance | Best Supporting Actor for “Bridge of Spies,” Brie Larson | Best Actress for “Room,” Leonardo DiCaprio | Best Actor for “The Revenant,” and Alicia Vikander | Best Supporting Actress for “The Danish Girl.”
In a lackluster award show year in the midst of perhaps the most publicized Hollywood controversy over the lack of nominations for actors of color, I knew the 2016 Oscars would be a rather different ceremony than in years past. That being said, I still wasn’t expecting so many uncomfortable moments shoved down the audience’s throat by host Chris Rock in his second stint on the stage.
Without touching too much on a provocative subject I’m not exactly equipped to speak knowledgeably about, I thought he might use his opening monologue to address the debate, which he did, and maybe close out the show with some sort of call to action, which he did by citing #BlackLivesMatter, and leave it at that. However, the night was rife with crude jokes, relentless little jabs at the underrepresentation of black actors (not all minorities, just blacks) in film, and several awkward moments that made the talent in the room shift in their seats, tittering as though they weren’t sure if they were supposed to laugh or not. After scanning some reviews, it seems some people were a fan of his tactics, but I happened to find jokes like, “In the In Memoriam package, it’s just going to be black people that were shot by the cops on their way to the movies,” to be needlessly tasteless. Continue reading
Eh, what the heck. Here’s five more.
I find re-boots to be really frustrating, especially when I’m already a big fan of the original. I still remember the very first time I saw the Spielberg-written and produced 1982 fright flick; I was far too young and just flipping channels at my grandparents’ house. It was already to the part where Diane goes after Carol Anne and the huge hunk of skeleton head snarls at Steve. I later watched the full film a couple years later with my dad and sis, who couldn’t have been older than six at the time. She didn’t even flinch at the scene where that guy peeled his face off, but I couldn’t sleep that night. It’s since become one of my favorite scary movies, so I’m incredibly skeptical as to what an attempted remake can do to the integrity of the original, which already has a real life spooky story to back it up. But the trailer does make it look pretty terrifying and even though I NEVER see horror movies in the theater, I feel like this will be one that I just have to bring myself to sit through.